GKIDS has announced it acquired North American distribution rights for the adult-targeted animated feature Another Day Of Life. GKIDS will release the film theatrically in 2019. Based on famed author and journalist Ryszard Kapuściński’s book of the same name, and directed by Raúl De La Fuente and Damian Nenow, Another Day Of Life was an […]
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Gkids Opens Anime “Okko’s Inn” in LA
April 10th, 2019 
Jerry Beck GKIDS will theatrically release Okko’s Inn in LA on April 26th at the Laemmle Glendale (207 N Maryland Ave, Glendale, CA 91206). The latest feature from famed anime studio Madhouse and director Kitaro Kosaka, who was a key animator on numerous classic films at the venerable Studio Ghibli, seamlessly blends immersive, idyllic landscapes with the […]
Gkids and Beijing Partner To Present “Animation Is Film Beijing” Festival April 13-20
March 30th, 2019 Jerry Beck GKIDS and Beijing Film Panorama have partnered to present ANIMATION IS FILM BEIJING, a special animation section within the upcoming Beijing Int’l Film Festival (BJIFF), which runs April 13-20, 2019. The ANIMATION IS FILM BEIJING lineup will be the largest slate of non-Chinese feature film animation ever to be presented in China and will highlight […]
GKIDS Acquires North American Rights to “Children Of The Sea”
March 20th, 2019 Jerry Beck GKIDS today announced it has acquired the North American distribution rights for the animated feature Children Of The Sea. GKIDS will release the film theatrically in both Japanese and English language versions. The film is the latest feature from Japan’s STUDIO4°C (known for Tekkonkinkreet, MFKZ, Mind Game, Animatrix, Batman: Gotham Knight, and others), and is […]
GKids Acquires “Funan” for Spring 2019 Theatrical Release
January 16th, 2019 Jerry Beck GKIDS, the acclaimed producer and distributor of animation for adult and family audiences, announced it has acquired the US distribution rights for the animated feature Funan, the inspiring and emotionally-searing debut from filmmaker Denis Do, based on his own family story, which won the top prizes at the Annecy Int’l Animated Film Festival and the […]
INTERVIEW: Director Mamoru Hosoda on His Latest Masterwork, “Mirai”
November 29th, 2018 W.R. Miller Four-year-old Kun has a problem—or so he thinks. Mom has brought home a baby sister, Mirai. Now his parents are giving lots of attention to her—attention he feels he deserves. Feeling rejected, Kun decides to run away. But when he goes as far as the family’s garden, he meets a visitor from the future: his […]
“Animation Is Film” 2018 Announces Initial Feature Competition Line-up and Jury
September 20th, 2018 Jerry Beck Animation Is Film announced today the preliminary competition line-up and jury for its second annual edition to take place October 19-21 at the TCL Chinese Theatre in Hollywood. The Festival will present a selection of new animated feature films from Asia, Europe, South America and North America, with both juried and audience prizes. Mamoru Hosoda’s […]
GKids to Release “Fireworks” in LA on July 4th
June 18th, 2018 Jerry Beck Gkids has moved up its Los Angeles release date for producer Genki Kawamura’s follow up his mega-hit anime Your Name. Directors Nobuyuki Takeuchi and Akiyuki Shinbo’s Fireworks will open on July 4th in Los Angeles at the Laemmle Monica Film Center in Santa Monica and Ahrya Fine Arts, in Beverly Hills. It’s a tale of […]
Hosada’s “Mirai” Screening at Cannes; Picked up by Gkids for US
April 17th, 2018 Jerry Beck GKIDS, the acclaimed producer and distributor of animation for adult and family audiences, announced that the animated feature Mirai from Japan’s Studio Chizu will screen at the Cannes Film Festival in the Directors’ Fortnight section. The film is written and helmed by Mamoru Hosoda, the celebrated director behind The Boy and the Beast, Wolf Children, […]
Gkids Acquires North American Rights to Anime “Fireworks”
March 15th, 2018 Jerry Beck US distributor GKIDS announced today that it has acquired the North American distribution rights to Fireworks, from director Nobuyuki Takeuchi and general director Akiyuki Shinbo. The deal for the film was negotiated by Eric Beckman of GKIDS and Rui Machida at Toho Co., Ltd. GKIDS will release the film theatrically in Summer 2018. Here’s the […]
Gkids Acquires Mamoru Hosoda’s “Mirai” for Fall Release
February 17th, 2018 Jerry Beck GKIDS has announced it has acquired the North American distribution rights for the animated feature Mirai from Japan’s Studio Chizu. The film is written and helmed by Mamoru Hosoda, the director behind The Boy and the Beast, Wolf Children, Summer Wars, and The Girl Who Leapt Through Time. GKIDS will release the film theatrically this […]
INTERVIEW: Actress Ruby Barnhill on Voicing “Mary and The Witch’s Flower”
January 17th, 2018 Jackson Murphy This Thursday January 18th, Fathom Events is screening both the foreign and English-language versions of the new anime film, Mary and The Witch’s Flower, in select theaters nationwide – the night before its regular theatrical release. “Mary” is one of the 26 films eligible for an Oscar nomination in this year’s Best Animated Feature category. […]
INTERVIEW: Nora Twomey talks “The Breadwinner”
January 15th, 2018 Jackson Murphy Nora Twomey is the co-founder of Cartoon Saloon, the studio behind The Secret of Kells, Song of the Sea and several other animated films of the past few years. Her latest credit is as director of The Breadwinner, which is up for 10 Annie Awards, and also received Best Animated Feature nominations from both Critics […]
INTERVIEW: Duo Directors Talk “The Big Bad Fox & Other Tales”
January 11th, 2018 Jackson Murphy The Big Bad Fox & Other Tales is a hilarious Annie-nominated animated comedy based on popular French graphic novels. Directors Patrick Imbert and Benjamin Renner talk about creating this unique film. Jackson Murphy: The three stories were originally going to be three separate TV specials. What made you guys decide to connect them into a […]
Less Is More: The Simple Beauty of “Dam Keeper Poems”, “The Big Bad Fox”, and “The Yamadas”
January 8th, 2018 Charles Solomon We live in an era of visual overload. Animation studios are producing images so detailed, they’re virtually indistinguishable from live action, but why do they want to? How does rendering every leaf in the background make a story more compelling? What does an audience gain by seeing each stitch in a cartoon character’s sweater? Why […]
