Mickey Mouse is an cartoon character co-created in 1928 by Walt Disney and Ub Iwerks.
Spider-Ham (Peter Porker) is a superhero appearing in Marvel Comics. The character is an anthropomorphic pig and is a parody version of Spider-Man. He was created by Larry Hama, Tom DeFalco, and Mark Armstrong.
Kaneda, the leader of a motorcycle gang in Katsuhiro Otomo’s classic anime feature AKIRA (1988).
Daffy Duck was created by Tex Avery for Leon Schlesinger Productions. He has appeared in cartoon series such as Looney Tunes and Merrie Melodies, in which he is usually depicted as a foil for either Bugs Bunny, Porky Pig, or Speedy Gonzales.
GKIDS has announced it has acquired the North American distribution rights for the animated feature Mirai from Japan’s Studio Chizu. The film is written and helmed by Mamoru Hosoda, the director behind The Boy and the Beast, Wolf Children, Summer Wars, and The Girl Who Leapt Through Time. GKIDS will release the film theatrically this […]
This Thursday January 18th, Fathom Events is screening both the foreign and English-language versions of the new anime film, Mary and The Witch’s Flower, in select theaters nationwide – the night before its regular theatrical release. “Mary” is one of the 26 films eligible for an Oscar nomination in this year’s Best Animated Feature category. […]
Nora Twomey is the co-founder of Cartoon Saloon, the studio behind The Secret of Kells, Song of the Sea and several other animated films of the past few years. Her latest credit is as director of The Breadwinner, which is up for 10 Annie Awards, and also received Best Animated Feature nominations from both Critics […]
The Big Bad Fox & Other Tales is a hilarious Annie-nominated animated comedy based on popular French graphic novels. Directors Patrick Imbert and Benjamin Renner talk about creating this unique film. Jackson Murphy: The three stories were originally going to be three separate TV specials. What made you guys decide to connect them into a […]
We live in an era of visual overload. Animation studios are producing images so detailed, they’re virtually indistinguishable from live action, but why do they want to? How does rendering every leaf in the background make a story more compelling? What does an audience gain by seeing each stitch in a cartoon character’s sweater? Why […]
We live in an era of visual overload. Animation studios are producing images so detailed, they’re virtually indistinguishable from live action, but why do they want to? How does rendering every leaf in the background make a story more compelling? What does an audience gain by seeing each stitch in a cartoon character’s sweater? Why […]
