Animation Scoop – Page 9 – Animated News, Reviews and Commentary

Comic-Con Museum Opens “Becoming Betty Boop” Exhibit June 27th

For nearly 100 years, she’s remained a cultural icon. Soon, Comic-Con Museum visitors will be able to immerse themselves in the worldwide debut of Becoming Betty Boop, a Comic-Con Museum exclusive and original exhibit opening on Thursday, June 27.

In collaboration with Fleischer Studios, Comic-Con Museum curated this one-of-a-kind multimedia exhibit to take fans on a nostalgic journey, starting with Betty’s beginnings to her rise to international popularity—and what makes her a fan favorite today. Visitors will also have the opportunity to purchase an exclusive poster created by comic artist and Fleischer Studios Creative Director, Frank Caruso, for this exhibit, along with a line of new and Comic-Con Museum-exclusive merchandise.

INTERVIEW: Pablo Berger On Powerhouse “Robot Dreams”

Pablo Berger won an Annie Award and was nominated for an Oscar this past awards season for his incredible feature Robot Dreams. NEON just kicked-off the film’s official North American theatrical release in New York City, and it will continue to expand to more cities across the nation throughout the summer, including Los Angeles starting this Friday June 7th. In this Animation Scoop Q&A, Berger shares what Robot Dreams has meant to him and audiences around the world. (This interview was edited for length and clarity.)

Jackson Murphy: I saw “Robot Dreams” six months ago. I love it. Many have loved it who have already seen it, including the Annie Awards voters. How did it feel being up on stage, winning Best Independent Animated Feature?

Pablo Berger: It was amazing. The Annies is the Oscars of animation. Everybody is there. It was fantastic. The Annies is like a big party too. It’s a big celebration of the love of animation and a great experience. And we had many [other] nominations. My team was there. I was very excited to be there.

INTERVIEW: The Fairly Odd Parents: A New Wish Is Fun And Heartfelt

Today, reboots and spin-offs are everywhere. Studios seem to be interested in using existing IP when producing content, no matter how long it’s been since the original came out. Among all the reboots and spinoffs, some stories are better suited for a comeback than others. In this discussion, Ashleigh Crystal Hairston and I explore how the new Fairly Odd Parents captures the fun of the original while adding fresh, heartfelt elements that resonate with today’s kids. We also discussed the effort, creativity, and collaboration that went into the making of this project.

Lauren Ashton:
I grew up watching the original Fairly Odd Parents. Maybe you did, too!

Ashleigh Crystal Hairston:
I was very familiar with the show. I didn’t necessarily grow up with it. More of Looney Tunes, Ren and Stimpy, kind of, and Rugrats. You know, that kid!

MeTV Toons Network Unveils Debut Programming Schedule

Weigel Broadcasting Co. today unveiled the programming schedule (below) for its highly anticipated new network, MeTV Toons which will launch Tuesday, June 25, as the only TV network destination dedicated exclusively to classic animation. This first launch schedule showcases many of the greatest names and most famous characters and series in all of classic animation. Future schedules will feature even more classic animation favorites.

INTERVIEW: “IF” Makes Imagination A Reality

Academy Award winner Chris Lawrence (Gravity) is the Visual Effects Supervisor of America’s No. 1 movie, IF. Director John Krasinski’s new family film, starring Ryan Reynolds, is about the power of imagination and memories. Lawrence describes the work that went into creating the vibrant, CG characters and bringing Krasinski’s passion project to the screen. (This Animation Scoop Interview was conducted as an Email Q&A and was edited for length and clarity. Images Courtesy: Paramount Pictures.)

Jackson Murphy: What were your initial reactions to John Krasinski’s vision of these imaginary characters?

Chris Lawrence: I loved it! He came to me with gigabytes of concept art from some of the best concept artists in the world. It was so refreshing to be working on original ideas, and I think we loved a lot of the same films as kids and teenagers, so it was easy to draw on common experiences and influences. We talked about this a lot. Realism and tangibility were really important to him, so we did everything we could through the production process to aid the realism and help them make all the interactions as natural as possible.

INTERVIEW: More Dino Drama With “Jurassic World: Chaos Theory”

New DreamWorks and Universal animated series Jurassic World: Chaos Theory (premiering this Friday May 24th on Netflix) is the next chapter in a franchise that has delighted and terrified generations. Executive Producers and showrunners Scott Kreamer and Aaron Hammersley detail their latest Jurassic journey. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: Scott, you did 50 episodes of “Camp Cretaceous”, which aired from 2020 to 2022. What goes into deciding, “Alright, let’s continue the “Jurassic” saga in animated form?”

Scott Kreamer: I’ll be honest, after “Camp Cretaceous”, which was so wonderful, I think Aaron and I were like, “Okay, well, we did it. We’ll move on.” It’s challenging, obviously. And then I had an idea to do more. That’s basically how it started. We told a great story. We felt we had told a story for our characters. And I had an idea about where things could go after that. I bamboozled Aaron into getting on board. It started with this little kernel of my idea and now it’s become all of our ideas.

INTERVIEWS: “The Garfield Movie” Duo On Going From Strip To Screen

One of the most anticipated movies of 2024 for families and lasagna lovers is Sony’s CG feature The Garfield Movie. Following a successful start overseas, it opens in North America this Friday May 24th. In this Animation Scoop Q&A, director Mark Dindal (of Chicken Little and Cats Don’t Dance) and producer John Cohen (of The Angry Birds Movie) take me through the methodology behind the story, casting, marketing and more. (These interviews were conducted separately and were edited for length and clarity.)

Jackson Murphy: We’re doing this interview on a Wednesday. So I have to ask you if you hate Mondays.

Mark Dindal: (laughs) I think Monday is not my favorite day of the week as everyone. For sure. I especially remember as a kid on Sunday night thinking, “Ugh, it’s Monday. The weekend went too fast.”

INTERVIEW: The Unique Nature Of “Thelma The Unicorn”

Starting this Friday May 17th on Netflix, the whole family can enjoy the new animated music comedy feature Thelma the Unicorn, based on the books by The Bad Guys author Aaron Blabey. Here’s my Animation Scoop Q&A with directors Jared Hess and Lynn Wang. (This interview was edited for length and clarity.)

Jackson Murphy: Congratulations on this. And Jared, congratulations on “Ninety-Five Senses”, the excellent, Oscar nominated short from this year. When it comes to that and this, and you worked on the “Napoleon Dynamite” animated TV series as well, how has animation inspired you throughout your life?

Jared Hess: It’s been a long time coming. I’ve always loved animation. To finally get the chance to do it as a feature has just been a dream come true. I love everything about it. As everyone knows, it’s limitless what you can do in animation and bringing to life characters through design and animation… there’s nothing like it. It’s been an amazing experience.

Viva Pictures Acquires “Scarygirl” Ahead Of Cannes Festival

Viva Pictures is pleased to share its recent acquisition of “Scarygirl”, a feature-length animated film inspired by the popular graphic novels and merchandise. Boasting a unique style and captivating storytelling, the film is a “coming-of-age” project that aims to appeal to family audiences.

A collaborative co-production between Like A Photon Creative and Highly Spirited, the feature is executive produced by Kung Fu Panda director John Stevenson.

INTERVIEW: The Editing And Cinematography Of “Inside Out 2”

While visiting Pixar in March, I got to see the first half-hour of Inside Out 2 — opening in theaters one month from today, June 14th. For this Animation Scoop Q&A, here are my conversations with editor Maurissa Horwtiz and DP, Camera Adam Habib. (These interviews were combined and edited for length and clarity.)

Jackson Murphy: Maurissa, what’s interesting about the 30 minutes of footage I’ve seen is the back and forth movement — from Riley to inside the mind and having these new characters. How much of a challenge was putting all that together?

Maurissa Horwitz: Definitely balancing the storylines in this movie is the biggest challenge for editorial. The fun of the movie is the emotions. You want to be with the emotions as much as you can. Something that we found with this movie, in contrast to the first one, is that a lot of the situations are social situations. To really land the emotions, and the best thing for the story and for Riley, is to spend a little more time with her than we did in the first one. But we’re still very aware of the balance and wanting to experience as much as we could of Riley through the emotions. To be honest, after every screening we would have of this movie, I would go back and watch the first one just to keep in mind the visual language and how they really crafted the edit of the first one. That was always with me in my head as I was moving forward.

Apple TV+ Announces First Installment Of “WondLa” Adventure Trilogy

This week, Apple TV+ announced the upcoming premiere of WondLa from Skydance AnimationThis highly-anticipated project is based on the New York Times bestselling book series “The Search for Wondla” by Tony DiTerlizzi. Bobs Gannaway serves as the showrunner and executive producer, and the cast features an amazing voice cast for the seven-episode season. It will premiere worldwide on Friday, June 28th on Apple TV+.

 

Warner Bros. Discovery and Weigel Broadcasting to Launch “MeTV TOONS”

Weigel Broadcasting Co. announced the launch of an all-new national television network, MeTV TOONS, dedicated exclusively to the very best of classic animation, from Hollywood-era shorts to made-for-television favorites. In this new collaboration between Warner Bros. Discovery and Weigel – the company behind the top rated MeTV Network – MeTV Toons will welcome dozens of the world’s most loved classic cartoons to this new destination, hearkening back to the glory days of cartoons on TV with familiar friends including Warner Bros.’ most famous animated characters Bugs Bunny, Daffy Duck, Scooby Doo, Tom & Jerry, George Jetson, Top Cat, Yogi Bear, Popeye, Johnny Quest and Fred Flintstone, to name just a few.

New Trailer For “Jurassic World: Chaos Theory”

Today, Netflix released a new trailer for Jurassic World: Chaos Theory.

INTERVIEW: Strap In For “Mars Express”

GKIDS is releasing a new adult, sci-fi animated action drama in theaters nationwide beginning this Thursday May 2nd. Mars Express, from co-writer and director Jérémie Périn, is about a detective agency duo (one human, the other android) on the red planet during a dangerous time in the year 2200. What will they uncover? Here’s what moviegoers can expect from this 2023 Annecy selection and 2024 Cesar Awards nominee. (This interview with Périn was conducted as an Email Q&A and was edited for length and clarity.)

Jackson Murphy: How did you organize how this incredibly detailed futuristic society on Mars would function?

Jérémie Périn: We worked in layers. When writing the script with Laurent Sarfati, our aim was to depict a credible, tangible universe. As far as possible, we wanted to avoid magical or overly fanciful science fiction. That’s why we thought about the rules of the Mars Express universe, not only in terms of technology, but also from a political and social point of view, the organization of urban planning, etc. To do this, we met with specialists in various fields: planetologists, programmers, car designers… All of them contributed their expertise and inspired us to write, giving us ideas that could take us out of certain reflexes of sci-fi representations. With the broad outlines established in the script, it was a matter of making the whole thing visual and coherent. That’s where Mikael Robert, the film’s art director, and the various people in charge of mecha design, props, sets, etc. came in. We added even more ideas that consolidated and enriched the written basis of this world.

Walt Disney Animation, Pixar, Disney Branded Television and 20th Century Fox Have Their 2024 Annecy Lineup

 

PARIS, France ­– Each year, the Annecy Internation Animated Film Festival features brilliant animated projects that enchant audiences around the world. The festival is known for hosting incredible emerging talent and trends in the field of animation, and this year will be no different as Walt Disney Animation Studios, Pixar Animation Studios, and Disney Branded Television will release an exclusive selection of new work that will continue the company’s tradition of imaginative family entertainment.