Animation Scoop – Page 8 – Animated News, Reviews and Commentary

INTERVIEW: Believe In “The Imaginary”

Studio Ponoc’s latest feature, The Imaginary, debuts next Friday July 5th on Netflix. It’s based on A.F. Harrold’s novel about Rudger, the imaginary friend of Amanda, who must find a way to save her life and not disappear forever. Here’s my Animation Scoop Q&A with writer and producer Yoshiaki Nishimura, two-time Academy Award nominee for The Tale of Princess Kaguya and When Marnie Was There. (This interview was conducted on Zoom with a translator and was edited for length and clarity.)

Jackson Murphy: What makes the idea of ‘imaginary friends’ so interesting and exciting for you as a storyteller?

Yoshiaki Nishimura: There are so many stories where human beings encounter monsters or martians and then that person grows. The most important and interesting thing about this film is that it’s depicted from the perspective of the one that was imagined and that relationship is with the person who imagined him.

INTERVIEW: Shrek, Po, Poppy And More At DreamWorks Land

Now Open at Universal Orlando Resort is the much anticipated DreamWorks Land, with rides and experiences featuring some of the most beloved animated characters of the past 25 years from one of the industry’s most successful studios. What can DreamWorks Animation fans look forward to? The Resort’s Dean Orion (Creative Director, Universal Creative) and Jason Horne (Assistant Director, Entertainment) open the gates. (This was conducted as an Email Q&A and was edited for length and clarity. Images Courtesy: Alyson Lundell at NBCUniversal.)

Jackson Murphy: What were some highlights of collaborating with the folks at DreamWorks Animation on bringing this Land to life?

DO: Our partnership with DreamWorks has been such a tremendously successful and rewarding collaboration. It was amazing working on this project with them. From Day 1 they were incredible partners, which was essential to designing a land that faithfully represented the film franchises.

CBS Studios Releases Official Trailer and Key Art For “Star Trek: Prodigy”

Today, CBS Studios released the official trailer and key art for the upcoming season of their original series, STAR TREK: PRODIGY. On Monday, July 1st, the successful project will premiere 20 episodes on Netflix in select countries worldwide. The streaming platform currently offers the entirety of the first season.

Asifa-Hollywood’s Animation Educator’s Forum Debuts “Animation Book Database”

ASIFA-Hollywood’s Animation Educator’s Forum (AEF) recently announced the debut of the Animation Book Database. Begun by noted animation historian Charles Solomon and developed by several AEF scholars including Michael Bonitatis of CSUN, Dori Littel-Herrick of Woodbury University (retired), and Tom Sito of USC, the Animation Book Database provides animation educators an easily accessible, online resource for books on animation, and is a free resource for new and veteran scholars on the vast number of publications on animation, animation history, biography of important animators, motion picture visual effects and more.

INTERVIEW: Sea What Disney Junior’s “Ariel” Is Up To

It’s been 35 years since Disney released the game-changing The Little Mermaid. Disney Junior’s Ariel, premiering June 27th on Disney Junior and June 28th on Disney+, is a new CG family music series that spotlights the title character’s youth ‘under the sea’. Executive Producer Lynne Southerland and Art Director Chrystin Garland join me for this Animation Scoop Q&A. (This interview was edited for length and clarity.)

Jackson Murphy: Lynne, do you remember the first time you saw The Little Mermaid?

Lynne Southerland: Absolutely. I was working for Disney at the time. My husband leaned over and said, “Isn’t it the coolest thing that you work for a company like this?” In fact, we went where there was a live show at the El Capitan [Theatre]. So there was a live show before they showed the movie and it was just magic. Ariel has always captured an energy of curiosity and a kind of dynamic dreamer aspect. And I can very much relate to that in my own personality. So to be able to then take what I remember from when I saw that movie 35 years ago… here’s a chance to see… “Who was Ariel when she was eight?” How fun.

INTERVIEW: “Despicable Me 4” Director Chris Renaud On Franchise Legacy, Sequels, And The Animation Industry

Illumination’s Despicable Me is extraordinarily successful- aside from being one of the highest-grossing animated film franchises of all time. 14 years after the original film became an immediate hit, director Chris Renaud talks with Animation Scoop on the upcoming installment, reflecting on the global appeal, legacy of the characters, and the franchise’s lasting impact over the years. (This Animation Scoop Q&A was edited for length and clarity.)

Lauren Ashton: So Despicable Me as a franchise means so much to so many people. I was just thinking, when the first one came out, I was in middle school and I was really captivated by just the look of it. And then, of course, it became a smashing hit, which was so exciting. Now it’s been about 14 years since the first one. How does it feel to be a part of the fourth installment of something that’s been so massively successful in so many ways?

Chris Renaud: Well, it’s very gratifying. I mean, the audience has embraced these characters and these stories so wholeheartedly. With internet memes or, for example, somebody sent me a minion that was handmade in Belize. Across the globe, it’s just great. It’s got this kind of everywhere and nowhere feel. I think it’s also very transportable, and people around the globe can claim it as their own. There are very few things that actually operate that way-  things like Star Wars have, certainly- but Despicable Me has had such a great global audience that’s taking ownership of it. As a kid, the things that I liked were comics and Star Wars, and as those worlds have expanded, people took ownership of them as well. So to have sort of been one of the authors of something like that has been truly gratifying.

INTERVIEW: DreamWorks’ “The Wild Robot” And Distinctive Storytelling

DreamWorks’ upcoming film, The Wild Robot, directed by Chris Sanders (How to Train Your Dragon, The Croods, Lilo & Stitch) and led by Head of Story Heidi Jo Gilbert (Puss in Boots: The Last Wish, Turbo, The Croods: A New Age), takes Peter Brown’s book from the page and onto the screen. During the Annecy Festival last week, we discussed the film’s distinct look, emotive storytelling approach, and personal connections to this unique project, which is anticipated to be sensational. (This Animation Scoop Q&A was edited for length and clarity.)

Lauren Ashton: The work that you did looks brilliant- I’m thinking of how you previously mentioned the Tyrus Wong inspiration. The feel is very illustrative. It seems like we haven’t seen a lot of animated features these days that have such a focus on that beautiful art style, in terms of atmosphere and environment. How do you feel that this has affected the overall tone of the film, specifically in terms of comedy and relatability to character?

Heidi Jo Gilbert: My instinct is to say, “Oh, that is a very dramatic, epic look, that could step on the comedy,” but to me, I think it makes the characters feel real. And then the comedy feels more natural.

TRAILER: Studio Ponoc’s “The Imaginary”

The groundbreaking hand-drawn animation of Studio Ponoc’s The Imaginary is heightened by first-of-their-kind techniques of light and shadow. The Imaginary is based on the beloved and award-winning novel of the same name by A.F. Harrold and illustrated by Emily Gravett (Bloomsbury Publishing). Netflix will debut the film on July 5th. Here’s our first look:

INTERVIEW: The Wonder Of “WondLa”

AppleTV+ and showrunner/EP Bobs Gannaway (of Monsters at Work) have adapted author Tony DiTerlizzi’s popular books for the new animated adventure series WondLa, premiering Friday June 28th. Gannaway previews the exciting first season and more. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: Congratulations on this. It is incredibly immersive.

Bobs Gannaway: Thank you. Tony DiTerlizzi’s books really launch us into a big world, and we’ve done our best to realize it, as best we can.

The Passion Behind The 2024 Tribeca Animated Shorts

Seven shorts comprise the 2024 Tribeca Film Festival “Animated Shorts Curated by Whoopi G” presentation. This excellent, diverse group, selected by Academy Award winner Whoopi Goldberg, screened for the first time in-person earlier today and will play again on June 13th and 15th. The filmmakers of all seven shorts have shared Exclusive Statements with Animation Scoop about what their films — and being a part of Tribeca — mean to them. For info on tickets, visit TribecaFilm.com.

“Budo”

INTERVIEW: Aaron Ehasz and Justin Richmond on Ending a Saga—and Beyond

“When is Season Six showing?”

That’s what The Dragon Prince fans want to know. They clamor for it in podcasts, social media and conventions. And no wonder: Season Five ended with many compelling questions. What’s to be done about the sinister Startouch Elf, Aaravos? Will he possess Prince Callum again? Will Callum sacrifice himself to save his friends? Has Lord Viren truly assumed room temperature? Will Claudia get her revenge? What will Stella the Cuddlemonkey do with the items she’s taking? Will Prince Karim’s insurrection succeed against Queen Janai? And if the sun dragon Sol Regem’s eyesight is restored, what havoc will he wreak upon the humans of Xadia?

Stella absconds with a scroll. Could it be she’s literate?

INTERVIEW: The Heroes Of “Ultraman: Rising”

Animated action dramedy feature Ultraman: Rising is going to be one of the biggest at-home hits of the summer. You can watch it starting next Friday June 14th on Netflix. Emmy-winning director Shannon Tindle (of Lost Ollie and Foster’s Home for Imaginary Friends) and Emmy & Annie-nominated co-director John Aoshima (of DuckTales and Gravity Falls) suit up to tell me about their influences for this epic film. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: Netflix was kind enough to provide members of the press with a letter that you wrote about your personal connection to the Ultraman character. And as I watched the first few minutes of “Ultraman: Rising”, I felt that personal connection and that theme of family right away. You do a really good job.

Shannon Tindle: Thank you. Thanks so much. Appreciate that.

ASIFA ‘Global Meet and Greet’ Mixer set for June 12 in Annecy

ASIFA-Hollywood will be co-sponsoring the ‘ASIFA Global Meet and Greet’ mixer on Wednesday, June 12 at 7:30 p.m. CST at Espace Détente in MIFA during the weeklong annual Annecy International Animation Film Festival, June 9-15. This mixer is co-sponsored with ASIFA Hellas and ASIFA China.

Attending this year’s festival on behalf of ASIFA-Hollywood are Interim Executive Director, Aubry Mintz and Board Vice President, Frank Gladstone. “We are so thrilled to be co-sponsoring this event at Annecy. It is a perfect way to connect with other ASIFA international chapters and learn about what each other are doing,” says Mintz. “It will also be a great space to share the initiatives we have been working on at ASIFA-Hollywood, not just the Annie Awards but all our excellent programs i.e., AEF scholarships/grants, film preservation, screenings and more. It is an exciting time to be part of the global animation community.”

INTERVIEWS: The Joy And Excitement Of “Inside Out 2”

I’m giving Animation Scoop one final look “inside” Pixar before their latest movie is “out” in theaters next week. Here are my conversations with four more makers of Inside Out 2. (These interviews were combined and edited for length and clarity.)

Jackson Murphy: What do you want to say to the teens of 2015 and the teens of today?

Rebecca McVeigh (Story Artist): The teens who saw the first one who are a little bit older now: I think you’re gonna recognize what Riley’s going through. And also for the teens of today. I think it’s very relatable that way.

INTERVIEW: Blast Off With “Big City Greens The Movie: Spacecation”

Chris and Shane Houghton celebrate six years of Big City Greens success for The Mouse House with a new feature-length film. Big City Greens the Movie: Spacecation premieres this Thursday June 6th at 8pm on Disney Channel and is available on Disney+ starting this Friday June 7th. In this new Animation Scoop Q&A, the Houghtons discuss how they landed on this story and the giant leap from 11 minutes to 80. (This interview was edited for length and clarity.)

Jackson Murphy: Chris, we’re approaching 55 years since the Moon Landing. Have you always been fascinated with space?

Chris Houghton: Yes, certainly. There’s been many nights when I grew up in the country and I’d have a campfire and I’m looking up there at the great unknown and the questions that come to my mind are vast and unknowing. Yeah, this is very exciting to take the Greens to space. And we had many, many exciting experiences along the way, but one of which was a cameo by the great, former astronaut Scott Kelly. There’s just something fascinating about space. It is the great unknown, and to be able to speak and work with someone who spent a year in space was pretty remarkable.