Animation Scoop – Page 32 – Animated News, Reviews and Commentary

INTERVIEW With The Valedictorian Of “Monster High”

Shea Fontana is the showrunner and co-EP of Nickelodeon’s new Monster High animated series, premiering this Friday October 28th at 7pm. In this Animation Scoop Q&A, Fontana discusses the influence of the popular toys on the fun new show, as well as a revamped Dracula and her own high school memories. (This interview was edited for length and clarity.)

Jackson Murphy: I was at New York Comic-Con recently and saw the huge Monster High clock tower display and everything with the combo live-action movie and your new animated series. That’s gotta feel cool that Nickelodeon is really behind this brand.

Shea Fontana: Yeah. It’s been amazing how supportive both Nickelodeon and Mattel have been of everything we’re doing on Monster High.

TRAILER: “Evangelion:3.0+1.0 Thrice Upon A Time”

The acclaimed producer and distributor of animation for adult and family audiences, GKIDS, has announced it has added exclusive IMAX showings of Evangelion:3.0+1.0 Thrice Upon A Time, to theaters nationwide, happening on November 30th only. The IMAX shows will be proceeded by screenings of EVANGELION:3.0+1.01 THRICE UPON A TIME – the final installment of the highly anticipated theatrical “Rebuild” editions of the EVANGELION franchise, on December 6th, 8th and 11th. Here’s The trailer:

WIA ANNOUNCES 2023 SCHOLARSHIP PROGRAM INDUSTRY PARTNERS

Women in Animation has just announced the largest amount of industry partners contributing to the WIA Scholarship Program. Eight partners, including Animation Focus, ArtStation, Autodesk, Animation Mentor Foundry,Toon Boom, Wacom, LAIKA, and Yellowbrick Learning have all contributed workshops, tutoring sessions, hardware, software packages and cash prizes. WIA’s Bay Area and Montreal Chapters are providing special scholarship prizes for students as well. See the details of each scholarship being offered below:

INTERVIEW—Two Stars of Star Trek: Prodigy: Brett Gray and Ella Purnell

What do you do if you live on a prison asteroid run by a megalomaniacal warden, and you uncover an abondoned starship capable of near-transwarp speeds? Do you take it? 17-year-old Dal R’El does, with the help of his fellow adolescent escapees including Gwyndala, 17-year-old daughter of the warden. So off the kids race toward the United Federation of Planets, hoping for protection and to learn more about themselves and the various worlds they encounter. Little do they know that the starship they’ve taken, the U.S.S. Protostar, has been infected with a virus that could wipe out the entire Alpha Quadrant. Such is the current scenario with Star Trek: Prodigy, the CG-animated series from CBS’ Eye Animation Productions and Nickelodeon.

INTERVIEW: The Might And Heart Of “Oni: Thunder God’s Tale”

From Tonko House, the makers of bold, Oscar-nominated short “The Dam Keeper”, comes a new four-part series debuting October 21st on Netflix. Oni: Thunder God’s Tale introduces us to Onari, a curious and courageous girl, daughter and friend. She seeks the powers that can help defeat the evil Oni, on their way to possibly destroy her village. But along the way, Onari will learn so much about herself and others — and discover what it truly means to be a hero. I spoke with creator Daisuke ‘Dice’ Tsutsumi and executive producers Robert Kondo and Sara K. Sampson. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: Dice, what do you think makes Onari such a compelling lead character? I really think she is.

Daisuke ‘Dice’ Tsutsumi: (laughs) That’s great. That’s an amazing question, and I want to answer it right. The concept of Oni comes from the famous villain character from Japanese folklore. There’s this interesting historical theory about Oni potentially being the description of a foreigner or Indigenous people who didn’t look like Japanese locals back in the day. I really felt that concept was so interesting because we still carry that same human nature — that we’re afraid of people we don’t understand or things or cultures we don’t know. That story of finding who you are and being honest about who you want to be vs. who you truly are… The struggle is something, I believe, that everybody can relate to. I certainly have… living in the United States for 30 years as a foreigner. Onari was a very personal expression of my story. However, I think it became so compelling because a lot of us who worked on this project, including Sara and Robert, and also our writer Mari [Okada], brought their own Onari into the character.

TRAILER: “Diary of a Wimpy Kid: Rodrick Rules”

Disney+ has released key art for Diary of a Wimpy Kid: Rodrick Rules, as well as a new trailer. This all-new animated film is based on the second book in Jeff Kinney’s immensely popular book series. In addition, Can You Smell Us Now,, the original new song from the film,is also available. Written and produced by Jon Levine, with lyrics by Jeff Kinney, the new song is performed by Jimmy Tatro. Diary of a Wimpy Kid: Rodrick Rules will premiere on December 2nd, 2022 on Disney+ – View the new trailer below:

INTERVIEW: Henry Selick Returns To Stop-Motion With “Wendell & Wild”

Stop-motion animation directing icon Henry Selick (of “The Nightmare Before Christmas” and “James and the Giant Peach”) is back with his first new feature since 2009’s “Coraline”. A teen girl meets demon brothers in Wendell & Wild, co-written by Selick and Jordan Peele. It opens in select theaters this Friday Oct. 21st and is on Netflix Oct. 28th. Selick is quite proud of the picture, and he shares some behind the scenes details about the look, the feel… and the reunion of Key & Peele. Plus, he’s got a spooktacular “Nightmare” story. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: What were you really able to do on this movie that you maybe wanted to do on some of your older films, but the technology just wasn’t there at the time?

Henry Selick: Not so much development and technology. More story — taking chances on the look of characters [and] going into dangerous territory. Playing around with some serious subjects but also mixing in more interesting types of humor by working with Key & Peele. So maybe it’s not so much about technological breakthroughs as it was about story and tone breakthroughs.

Chatting With “Big City Greens” Gang In The Big Apple

Over the past four and a half years, Big City Greens has quickly become one of the most popular Disney Channel animated series of all-time. Creators Chris and Shane Houghton are deep into production on the upcoming fourth season and movie. I recently had the chance to finally meet them in person at New York Comic-Con, where they shared as much as they could about the film. I also spoke with some of the BCG voice actors about what this series has meant to them. (These interviews were combined, with responses edited for length and clarity.)

Jackson Murphy: How has this series changed your lives?

Bob Joles (Voice of Bill): It’s made me more aware of being a dad, which I’ve never been. The lessons that come out of it and how I have to present those lessons to Cricket and Tilly and sometimes Remy and sometimes Gramma. It’s an interesting dynamic that I never got to experience in my life but now I am through animation.

INTERVIEW—Two Janeways, One Voice: Kate Mulgrew

With the next half-season of Star Trek: Prodigy about to premiere, Paramount+ invited journalists to interview some of the cast — including Kate Mulgrew — allowing a behind-the-microphone peek at the voiceover process.

Mulgrew reprises her role as Kathryn Janeway from Star Trek: Voyager, who stars in Prodigy as Hologram Janeway aboard an experimental high-warp starship, the U.S.S. Protostar. Her character trains a group of disparate—and desperate—kids of various alien species, seeking escape from a tyrannical prison warden. They come to realize that the United Federation of Planets can offer them protection, all the while learning Starfleet protocols.

INTERVIEW With “Avatar: Braving The Elements Podcast” Hosts

Janet Varney (the voice of Korra on “The Legend of Korra”) and Dante Basco (who voiced Zuko on “Avatar: The Last Airbender” and General Iroh on “Korra”) host Avatar: Braving the Elements Podcast. It’s Nickelodeon’s official podcast about everything in the Avatarverse. “Braving the Elements” (available wherever you get your podcasts) is now in its second season, with new episodes dropping every Tuesday. I recently chatted with Varney and Basco at New York Comic-Con about “BTE”, the lasting impact of “Avatar” and a connection with the voice actor of a famous animated feline. (This interview was edited for length and clarity.)

Jackson Murphy: So “Avatar”‘s been around for 17 years? That’s insane!

Dante Basco: Don’t say that, Jackson!

Janet Varney: I know. Let the illusion of timelessness exist for the actors.

DB: We just did our podcast this morning and you said the date and I was like, “Whoa.”

INTERVIEW: Previewing “Pinocchio” Puppets With Georgina Hayns

Guillermo del Toro’s Pinocchio is one of the most anticipated animated movies of the rest of 2022. The Academy Award-winning director of The Shape of Water presents a new stop-motion feature film version of the classic story with an all-star voice cast and breathtaking visuals. It opens in select theaters this November and debuts on Netflix December 9th. I recently spoke with Georgina Hayns, Director of Character Fabrication, on bringing the puppets to life, working with del Toro, and some of her other stop-motion career highlights. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: When did you first learn of the Pinocchio story?

Georgina Hayns: I’ve known about Pinocchio as long as I can remember. I think I saw the Disney animated version when I was about three years old. And growing up in Europe, because Pinocchio is such a known image in Italy, you get a lot of wooden carved dolls of Pinocchio. There’s even Christmas decorations that are inspired by Pinocchio. Pinocchio’s always been around me, but it’s funny because… I still didn’t really know the story until I started working on this Pinocchio.

Dragon Ball Blasts Its Way Into Heritage Auctions’ First Ever Anime Showcase

Heritage Auctions plans to offer the very best lots from the renowned Dragon Ball franchise in its Anime Showcase sale, The Art of Dragon Ball. On November 17th, there will be more than 200 rare and essential pieces crossing the auction block. Expect to see highly graded trading cards, original production cels from Dragon Ball, Dragon Ball Z, and Dragon Ball GT, original printings of major Weekly Shonen Jump issues, and more.

INTERVIEW: The “Batwheels” Arrive In Gotham City (And On TV)

The Dark Knight has some new help fighting crime. Family animated series Batwheels premieres this Monday Oct. 17 at 9am on Cartoonito and Cartoon Network, with episodes streaming Tuesday Oct. 18 on HBO Max. Co-Executive Producer Michael G. Stern and Supervising Producer Simon Smith suit up to discuss the vehicles, the style and the multi-generational appeal of Batwheels. (This Animation Scoop Q&A was edited for length and clarity.)

Jackson Murphy: This show is really fun. As you were getting underway with this, what was the earliest memory you could think of involving Batman?

Michael G. Stern: I grew-up with the Adam West 1966 show in reruns. So my earliest memory is tying a bath towel around my neck and running around going, “ZAM! POW!”

The Boy, The Mole, The Fox and The Horse Anounced by Apple TV+

Apple Original Films has just announced that the animated short The Boy, the Mole, the Fox and the Horse, based on the global best-selling book of the same title by Charlie Mackesy, will be coming to Apple TV+ on Christmas Day this year. The film, featuring Mackesy’s characteristic illustrations brought to life in color with stunning hand-drawn animation, features BAFTA Award winner Tom Hollander (The Night Manager) as The Mole, Golden Globe and SAG Award winner Idris Elba (Luther) as The Fox, Golden Globe Award winner Gabriel Byrne (All Things Bright and Beautiful) as The Horse, and introduces Jude Coward Nicoll as The Boy.

Mindy Kaling Introduces New “VELMA” To NYCC

Coming to HBO Max in 2023 is the hand-drawn adult animated series VELMA. It’s a new origin story of Velma Dinkley and her Mystery Inc. pals, starring and co-executive produced by Mindy Kaling. “The Office” and “The Mindy Project” actress, who also co-wrote and co-starred in the 2019 film “Late Night”, has lent her voice to a number of animated projects over the years — from “Inside Out” and “Despicable Me” to “Wreck-It Ralph” and “Monsters at Work”.

I recently attended a New York Comic-Con press conference with Kaling and VELMA showrunner and co-EP Charlie Grandy. “The possibilities of animation are so big. Why not make the character Indian?,” Kaling said to a room of two to three dozen reporters. She hopes to “honor the character” and looks to Sony’s “Spider-Man: Into the Spider-Verse” for representation inspiration.