Animation Scoop – Page 3 – Animated News, Reviews and Commentary

MeTV Toons Panel at Comic Con July 26th; “Bugs Bunny Bash” airs on July 27th

MeTV Toons is set to make its San Diego Comic-Con debut on Friday, July 26th, 2024. Bob Bergen, the celebrated animation voice actor and the official voice of MeTV Toons, will be joined by animation historian Jerry Beck, 2x Emmy-Award winning voice actor Eric Bauza, plus renowned voice actors Jeff Bergman and Candi Milo, and Weigel Broadcasting’s Vice Chairman Neal Sabin in a lively conversation, moderated Variety’s Michael Schneider.

The panel will explore, discuss and celebrate some of the greatest classic animation series and characters, now featured on their new TV home, MeTV Toons, which launched on June 25. Attendees will get an exclusive first look at the network’s plans to celebrate Bugs Bunny’s 84th birthday on Saturday, July 27, and receive a collectable MeTV Toons giveaway item. Be there, Friday, July 26 from 1-2 pm at San Diego Convention Center, Ballroom 6A (111 W. Harbor Dr., San Diego 92101). More info CLICK HERE.

INTERVIEW: Aaron Ehasz and Justin Richmond: Beating the Odds

With the narrative portion of The Dragon Prince drawing to a close, Aaron Ehasz and Justin Richmond reflect on their achievement. After all, it’s rare for a made-for-streaming series to last seven seasons, with untapped potential for more. What are the odds of that happening, and how did the Wonderstorm producers beat those odds?

“In the days of network TV, something got put on for a couple of seasons, and if it did well and caught fire, they gave it more and more seasons—seven, eight or nine seasons. Those days are gone,” Ehasz says. “In the modern mediascape, most series are going to be for one, two, or three seasons maximum. The viewing pattern is not that it builds steam over time and then grows, which was when you have these weekly shows. They start to build an audience, they build an audience, and now it’s worth doing more and more and more seasons. Well, that’s not really how it’s working with streaming.

Mickey & Friends Release First Single From Upcoming Album “A Whole New Sound”

“A Whole New Sound” is an upcoming album from Mickey & Friends that will feature covers of beloved Disney classics. Some iconic alternative, rock, and pop-punk bands have contributed their work to the project. In honor of The Lion King having its 30th anniversary, Disney released the first single from the album: Simple Plan’s rendition of “Can You Feel The Love Tonight.”

First Look At “Saving Bikini Bottom: The Sandy Cheeks Movie”

When all of Bikini Bottom is suddenly scooped out of the sea, Sandy Cheeks and her best friend SpongeBob SquarePants embark on a mission to Texas to save the town and its inhabitants from a terrible scheme. Sue Nahmee (played by Wanda Sykes) is leading this villainous plot and wants those living in Bikini Bottom turned into “Sea Pals”: a line of manufactured toys. The only ones who can save the day are Sandy and SpongeBob. With Liza Johnson as the director, “Saving Bikini Bottom: The Sandy Cheeks Movie” will be the first installment of two films coming to Netflix from the SpongeBob SquarePants franchise.

INTERVIEW: The Next Life Of “Exploding Kittens”

Phenomenon card game Exploding Kittens is now an adult animated comedy series, premiering this Friday July 12th on Netflix. This Animation Scoop Q&A is with showrunners and creators Matthew Inman and Shane Kosakowski. (The interview was edited for length and clarity.)

Jackson Murphy: Matt, you co-created the card game and now, about a decade later, it’s a television show. You have had quite the decade.

Matthew Inman: I’ve been a cartoonist for a long time and I always assumed that my comics and books would have become a show rather than a card game because it’s such not a path. Typically you don’t see “Uno: The Movie”, you know what I mean? So yeah, I didn’t expect “Exploding Kittens” to go here, but it did, and I’m happy with how it turned out.

TRAILER: Hulu’s “Futurama” Debuts New Trailer Ahead Of 12th Season

The 12th Season of Futurama will premiere on Hulu on Monday, July 29th. Here’s the trailer:

REVIEW: “Haikyu!! The Dumpster Battle”

As athletes prepare for the Paris Olympics, the Japanese men’s volleyball team is enjoying an unprecedented popularity, thanks in part to an animated feature. One of the big hits of 2024, Haikyu!! The Dumpster Battle (produced by Production I.G. and airing on Crunchyroll) has helped fuel a surge in interest in volleyball in Japan. Volleyball has long been popular in Japan, but people there are watching and playing in increasing numbers, from high school kids to housewives. Numerous articles about the trend have appeared in the Japanese press.

TRAILER: DreamWorks’ “The Wild Robot”

DreamWorks Animation has released a new trailer for the studio’s upcoming feature, The Wild Robot.  Based on Peter Brown’s #1 New York Times bestseller, The Wild Robot is an epic story of  “a bond like no other”.

 

INTERVIEW: The Dish On “Sausage Party: Foodtopia”

This Thursday July 4th, you might have some hamburgers and hot dogs to celebrate Independence Day. And then next Thursday July 11th, you can watch them come alive on Prime Video in Sausage Party: Foodtopia, the adult animated comedy series follow-up to the hit 2016 movie. Stars Seth Rogen, Kristen Wiig, Michael Cera and Edward Norton return, along with the film’s co-writers, Ariel Shaffir and Kyle Hunter. They serve as co-creators, showrunners and EPs of Foodtopia and join me for this Animation Scoop Q&A. (This interview was edited for length and clarity.)

Jackson Murphy: Congratulations on this. I’ve seen the first couple episodes. It’s as wild as the movie was, so you guys have done it.

Kyle Hunter: That’s the bar. That’s the bar we’re trying to hit.

INTERVIEW: Believe In “The Imaginary”

Studio Ponoc’s latest feature, The Imaginary, debuts next Friday July 5th on Netflix. It’s based on A.F. Harrold’s novel about Rudger, the imaginary friend of Amanda, who must find a way to save her life and not disappear forever. Here’s my Animation Scoop Q&A with writer and producer Yoshiaki Nishimura, two-time Academy Award nominee for The Tale of Princess Kaguya and When Marnie Was There. (This interview was conducted on Zoom with a translator and was edited for length and clarity.)

Jackson Murphy: What makes the idea of ‘imaginary friends’ so interesting and exciting for you as a storyteller?

Yoshiaki Nishimura: There are so many stories where human beings encounter monsters or martians and then that person grows. The most important and interesting thing about this film is that it’s depicted from the perspective of the one that was imagined and that relationship is with the person who imagined him.

INTERVIEW: Shrek, Po, Poppy And More At DreamWorks Land

Now Open at Universal Orlando Resort is the much anticipated DreamWorks Land, with rides and experiences featuring some of the most beloved animated characters of the past 25 years from one of the industry’s most successful studios. What can DreamWorks Animation fans look forward to? The Resort’s Dean Orion (Creative Director, Universal Creative) and Jason Horne (Assistant Director, Entertainment) open the gates. (This was conducted as an Email Q&A and was edited for length and clarity. Images Courtesy: Alyson Lundell at NBCUniversal.)

Jackson Murphy: What were some highlights of collaborating with the folks at DreamWorks Animation on bringing this Land to life?

DO: Our partnership with DreamWorks has been such a tremendously successful and rewarding collaboration. It was amazing working on this project with them. From Day 1 they were incredible partners, which was essential to designing a land that faithfully represented the film franchises.

CBS Studios Releases Official Trailer and Key Art For “Star Trek: Prodigy”

Today, CBS Studios released the official trailer and key art for the upcoming season of their original series, STAR TREK: PRODIGY. On Monday, July 1st, the successful project will premiere 20 episodes on Netflix in select countries worldwide. The streaming platform currently offers the entirety of the first season.

Asifa-Hollywood’s Animation Educator’s Forum Debuts “Animation Book Database”

ASIFA-Hollywood’s Animation Educator’s Forum (AEF) recently announced the debut of the Animation Book Database. Begun by noted animation historian Charles Solomon and developed by several AEF scholars including Michael Bonitatis of CSUN, Dori Littel-Herrick of Woodbury University (retired), and Tom Sito of USC, the Animation Book Database provides animation educators an easily accessible, online resource for books on animation, and is a free resource for new and veteran scholars on the vast number of publications on animation, animation history, biography of important animators, motion picture visual effects and more.

INTERVIEW: Sea What Disney Junior’s “Ariel” Is Up To

It’s been 35 years since Disney released the game-changing The Little Mermaid. Disney Junior’s Ariel, premiering June 27th on Disney Junior and June 28th on Disney+, is a new CG family music series that spotlights the title character’s youth ‘under the sea’. Executive Producer Lynne Southerland and Art Director Chrystin Garland join me for this Animation Scoop Q&A. (This interview was edited for length and clarity.)

Jackson Murphy: Lynne, do you remember the first time you saw The Little Mermaid?

Lynne Southerland: Absolutely. I was working for Disney at the time. My husband leaned over and said, “Isn’t it the coolest thing that you work for a company like this?” In fact, we went where there was a live show at the El Capitan [Theatre]. So there was a live show before they showed the movie and it was just magic. Ariel has always captured an energy of curiosity and a kind of dynamic dreamer aspect. And I can very much relate to that in my own personality. So to be able to then take what I remember from when I saw that movie 35 years ago… here’s a chance to see… “Who was Ariel when she was eight?” How fun.

INTERVIEW: “Despicable Me 4” Director Chris Renaud On Franchise Legacy, Sequels, And The Animation Industry

Illumination’s Despicable Me is extraordinarily successful- aside from being one of the highest-grossing animated film franchises of all time. 14 years after the original film became an immediate hit, director Chris Renaud talks with Animation Scoop on the upcoming installment, reflecting on the global appeal, legacy of the characters, and the franchise’s lasting impact over the years. (This Animation Scoop Q&A was edited for length and clarity.)

Lauren Ashton: So Despicable Me as a franchise means so much to so many people. I was just thinking, when the first one came out, I was in middle school and I was really captivated by just the look of it. And then, of course, it became a smashing hit, which was so exciting. Now it’s been about 14 years since the first one. How does it feel to be a part of the fourth installment of something that’s been so massively successful in so many ways?

Chris Renaud: Well, it’s very gratifying. I mean, the audience has embraced these characters and these stories so wholeheartedly. With internet memes or, for example, somebody sent me a minion that was handmade in Belize. Across the globe, it’s just great. It’s got this kind of everywhere and nowhere feel. I think it’s also very transportable, and people around the globe can claim it as their own. There are very few things that actually operate that way-  things like Star Wars have, certainly- but Despicable Me has had such a great global audience that’s taking ownership of it. As a kid, the things that I liked were comics and Star Wars, and as those worlds have expanded, people took ownership of them as well. So to have sort of been one of the authors of something like that has been truly gratifying.