The 12th Season of Futurama will premiere on Hulu on Monday, July 29th. Here’s the trailer:
“The Wild Robot” and “Flow” Take Best Feature honors at Annie Awards: “Arcane” Sweeps TV Awards
Dreamworks’ The Wild Robot, won Best Feature, along with eight more categories at the 52nd Annie Awards celebration Saturday night on the campus of UCLA. In addition to Best Feature, The Wild Robot also took home an Annie for Best FX- Feature (Derek Cheung, Michael Losure, David Chow, Nyoung Kim, Steve Avoujageli), Best Character Animation […]


TRAILER: “Plankton: The Movie”
This morning Netflix has debut the trailer, poster and new images for Plankton: The Movie, the latest movie in the SpongeBob SquarePants franchise – coming exclusively to Netflix on March 7th. Here’s our first look:


INTERVIEW: David Lowery Presents “An Almost Christmas Story”
David Lowery (director of Pete’s Dragon and Peter Pan & Wendy for Disney) helms the new animated holiday short film An Almost Christmas Story, which premieres this Friday Nov. 15 on Disney+. It’s about an owl named Moon who forms a unique friendship with a girl named Luna in The Big Apple. Lowery shares what […]


INTERVIEW: Looney Lowdown On “The Day The Earth Blew Up”
Long-awaited, fully animated The Day the Earth Blew Up: A Looney Tunes Movie will receive an awards-qualifying run before the end of 2024, ahead of its official theatrical release on February 28th, 2025. I’ve screened the film and spoke with director Peter Browngardt about this sci-fi action comedy starring beloved characters who are true to […]



REVIEW: “Haikyu!! The Dumpster Battle”


As athletes prepare for the Paris Olympics, the Japanese men’s volleyball team is enjoying an unprecedented popularity, thanks in part to an animated feature. One of the big hits of 2024, Haikyu!! The Dumpster Battle (produced by Production I.G. and airing on Crunchyroll) has helped fuel a surge in interest in volleyball in Japan. Volleyball has long been popular in Japan, but people there are watching and playing in increasing numbers, from high school kids to housewives. Numerous articles about the trend have appeared in the Japanese press.

TRAILER: DreamWorks’ “The Wild Robot”


DreamWorks Animation has released a new trailer for the studio’s upcoming feature, The Wild Robot. Based on Peter Brown’s #1 New York Times bestseller, The Wild Robot is an epic story of “a bond like no other”.

INTERVIEW: The Dish On “Sausage Party: Foodtopia”


This Thursday July 4th, you might have some hamburgers and hot dogs to celebrate Independence Day. And then next Thursday July 11th, you can watch them come alive on Prime Video in Sausage Party: Foodtopia, the adult animated comedy series follow-up to the hit 2016 movie. Stars Seth Rogen, Kristen Wiig, Michael Cera and Edward Norton return, along with the film’s co-writers, Ariel Shaffir and Kyle Hunter. They serve as co-creators, showrunners and EPs of Foodtopia and join me for this Animation Scoop Q&A. (This interview was edited for length and clarity.)
Jackson Murphy: Congratulations on this. I’ve seen the first couple episodes. It’s as wild as the movie was, so you guys have done it.
Kyle Hunter: That’s the bar. That’s the bar we’re trying to hit.

INTERVIEW: Believe In “The Imaginary”


Studio Ponoc’s latest feature, The Imaginary, debuts next Friday July 5th on Netflix. It’s based on A.F. Harrold’s novel about Rudger, the imaginary friend of Amanda, who must find a way to save her life and not disappear forever. Here’s my Animation Scoop Q&A with writer and producer Yoshiaki Nishimura, two-time Academy Award nominee for The Tale of Princess Kaguya and When Marnie Was There. (This interview was conducted on Zoom with a translator and was edited for length and clarity.)
Jackson Murphy: What makes the idea of ‘imaginary friends’ so interesting and exciting for you as a storyteller?
Yoshiaki Nishimura: There are so many stories where human beings encounter monsters or martians and then that person grows. The most important and interesting thing about this film is that it’s depicted from the perspective of the one that was imagined and that relationship is with the person who imagined him.

INTERVIEW: Shrek, Po, Poppy And More At DreamWorks Land


Now Open at Universal Orlando Resort is the much anticipated DreamWorks Land, with rides and experiences featuring some of the most beloved animated characters of the past 25 years from one of the industry’s most successful studios. What can DreamWorks Animation fans look forward to? The Resort’s Dean Orion (Creative Director, Universal Creative) and Jason Horne (Assistant Director, Entertainment) open the gates. (This was conducted as an Email Q&A and was edited for length and clarity. Images Courtesy: Alyson Lundell at NBCUniversal.)
Jackson Murphy: What were some highlights of collaborating with the folks at DreamWorks Animation on bringing this Land to life?
DO: Our partnership with DreamWorks has been such a tremendously successful and rewarding collaboration. It was amazing working on this project with them. From Day 1 they were incredible partners, which was essential to designing a land that faithfully represented the film franchises.

CBS Studios Releases Official Trailer and Key Art For “Star Trek: Prodigy”


Today, CBS Studios released the official trailer and key art for the upcoming season of their original series, STAR TREK: PRODIGY. On Monday, July 1st, the successful project will premiere 20 episodes on Netflix in select countries worldwide. The streaming platform currently offers the entirety of the first season.

Asifa-Hollywood’s Animation Educator’s Forum Debuts “Animation Book Database”


ASIFA-Hollywood’s Animation Educator’s Forum (AEF) recently announced the debut of the Animation Book Database. Begun by noted animation historian Charles Solomon and developed by several AEF scholars including Michael Bonitatis of CSUN, Dori Littel-Herrick of Woodbury University (retired), and Tom Sito of USC, the Animation Book Database provides animation educators an easily accessible, online resource for books on animation, and is a free resource for new and veteran scholars on the vast number of publications on animation, animation history, biography of important animators, motion picture visual effects and more.

INTERVIEW: Sea What Disney Junior’s “Ariel” Is Up To


It’s been 35 years since Disney released the game-changing The Little Mermaid. Disney Junior’s Ariel, premiering June 27th on Disney Junior and June 28th on Disney+, is a new CG family music series that spotlights the title character’s youth ‘under the sea’. Executive Producer Lynne Southerland and Art Director Chrystin Garland join me for this Animation Scoop Q&A. (This interview was edited for length and clarity.)
Jackson Murphy: Lynne, do you remember the first time you saw The Little Mermaid?
Lynne Southerland: Absolutely. I was working for Disney at the time. My husband leaned over and said, “Isn’t it the coolest thing that you work for a company like this?” In fact, we went where there was a live show at the El Capitan [Theatre]. So there was a live show before they showed the movie and it was just magic. Ariel has always captured an energy of curiosity and a kind of dynamic dreamer aspect. And I can very much relate to that in my own personality. So to be able to then take what I remember from when I saw that movie 35 years ago… here’s a chance to see… “Who was Ariel when she was eight?” How fun.

INTERVIEW: “Despicable Me 4” Director Chris Renaud On Franchise Legacy, Sequels, And The Animation Industry


Illumination’s Despicable Me is extraordinarily successful- aside from being one of the highest-grossing animated film franchises of all time. 14 years after the original film became an immediate hit, director Chris Renaud talks with Animation Scoop on the upcoming installment, reflecting on the global appeal, legacy of the characters, and the franchise’s lasting impact over the years. (This Animation Scoop Q&A was edited for length and clarity.)
Lauren Ashton: So Despicable Me as a franchise means so much to so many people. I was just thinking, when the first one came out, I was in middle school and I was really captivated by just the look of it. And then, of course, it became a smashing hit, which was so exciting. Now it’s been about 14 years since the first one. How does it feel to be a part of the fourth installment of something that’s been so massively successful in so many ways?
Chris Renaud: Well, it’s very gratifying. I mean, the audience has embraced these characters and these stories so wholeheartedly. With internet memes or, for example, somebody sent me a minion that was handmade in Belize. Across the globe, it’s just great. It’s got this kind of everywhere and nowhere feel. I think it’s also very transportable, and people around the globe can claim it as their own. There are very few things that actually operate that way- things like Star Wars have, certainly- but Despicable Me has had such a great global audience that’s taking ownership of it. As a kid, the things that I liked were comics and Star Wars, and as those worlds have expanded, people took ownership of them as well. So to have sort of been one of the authors of something like that has been truly gratifying.

INTERVIEW: DreamWorks’ “The Wild Robot” And Distinctive Storytelling


DreamWorks’ upcoming film, The Wild Robot, directed by Chris Sanders (How to Train Your Dragon, The Croods, Lilo & Stitch) and led by Head of Story Heidi Jo Gilbert (Puss in Boots: The Last Wish, Turbo, The Croods: A New Age), takes Peter Brown’s book from the page and onto the screen. During the Annecy Festival last week, we discussed the film’s distinct look, emotive storytelling approach, and personal connections to this unique project, which is anticipated to be sensational. (This Animation Scoop Q&A was edited for length and clarity.)
Lauren Ashton: The work that you did looks brilliant- I’m thinking of how you previously mentioned the Tyrus Wong inspiration. The feel is very illustrative. It seems like we haven’t seen a lot of animated features these days that have such a focus on that beautiful art style, in terms of atmosphere and environment. How do you feel that this has affected the overall tone of the film, specifically in terms of comedy and relatability to character?
Heidi Jo Gilbert: My instinct is to say, “Oh, that is a very dramatic, epic look, that could step on the comedy,” but to me, I think it makes the characters feel real. And then the comedy feels more natural.

TRAILER: Studio Ponoc’s “The Imaginary”


The groundbreaking hand-drawn animation of Studio Ponoc’s The Imaginary is heightened by first-of-their-kind techniques of light and shadow. The Imaginary is based on the beloved and award-winning novel of the same name by A.F. Harrold and illustrated by Emily Gravett (Bloomsbury Publishing). Netflix will debut the film on July 5th. Here’s our first look:

INTERVIEW: The Wonder Of “WondLa”


AppleTV+ and showrunner/EP Bobs Gannaway (of Monsters at Work) have adapted author Tony DiTerlizzi’s popular books for the new animated adventure series WondLa, premiering Friday June 28th. Gannaway previews the exciting first season and more. (This Animation Scoop Q&A was edited for length and clarity.)
Jackson Murphy: Congratulations on this. It is incredibly immersive.
Bobs Gannaway: Thank you. Tony DiTerlizzi’s books really launch us into a big world, and we’ve done our best to realize it, as best we can.

The Passion Behind The 2024 Tribeca Animated Shorts


Seven shorts comprise the 2024 Tribeca Film Festival “Animated Shorts Curated by Whoopi G” presentation. This excellent, diverse group, selected by Academy Award winner Whoopi Goldberg, screened for the first time in-person earlier today and will play again on June 13th and 15th. The filmmakers of all seven shorts have shared Exclusive Statements with Animation Scoop about what their films — and being a part of Tribeca — mean to them. For info on tickets, visit TribecaFilm.com.

“Budo”

INTERVIEW: Aaron Ehasz and Justin Richmond on Ending a Saga—and Beyond


“When is Season Six showing?”
That’s what The Dragon Prince fans want to know. They clamor for it in podcasts, social media and conventions. And no wonder: Season Five ended with many compelling questions. What’s to be done about the sinister Startouch Elf, Aaravos? Will he possess Prince Callum again? Will Callum sacrifice himself to save his friends? Has Lord Viren truly assumed room temperature? Will Claudia get her revenge? What will Stella the Cuddlemonkey do with the items she’s taking? Will Prince Karim’s insurrection succeed against Queen Janai? And if the sun dragon Sol Regem’s eyesight is restored, what havoc will he wreak upon the humans of Xadia?

Stella absconds with a scroll. Could it be she’s literate?