Mickey Mouse is an cartoon character co-created in 1928 by Walt Disney and Ub Iwerks.
Mickey Mouse is an cartoon character co-created in 1928 by Walt Disney and Ub Iwerks.
Spider-Ham (Peter Porker) is a superhero appearing in Marvel Comics. The character is an anthropomorphic pig and is a parody version of Spider-Man. He was created by Larry Hama, Tom DeFalco, and Mark Armstrong.
Kaneda, the leader of a motorcycle gang in Katsuhiro Otomo’s classic anime feature AKIRA (1988).
Daffy Duck was created by Tex Avery for Leon Schlesinger Productions. He has appeared in cartoon series such as Looney Tunes and Merrie Melodies, in which he is usually depicted as a foil for either Bugs Bunny, Porky Pig, or Speedy Gonzales.
Phantom Rouge, the second “Hunter x Hunter” movie, debuted at number one in Japan in 2013. It opened on 257 screens, earning ¥456,779,000: about US $5,143,930 then, an impressive sum for an opening weekend there. The title is pronounced “Hunter Hunter” Yoshihiro Togashi, who created the original manga in 1998, said he came up with […]

A featherweight supernatural romantic farce, Yamada-kun and the 7 Witches (2015) turns the conventions of the popular anime genre of the harem comedy topsy-turvy. The original manga by Miki Yoshikawa, which sold almost four million copies, has been made into a live action series, as well as an animated one. Students at Suzaku High dismiss […]

In sports anime, the shortest guy on the team is usually the most enthusiastic— aspiring volleyball star Hinata in Haikyu and champion swimmer Nagisa in Free are so excited about competing, they don’t worry about their size. Kenji Gion (voice by Stephen Sanders), the hero of the broadcast series All Out!! (2016), hates being short. […]

We don’t really have a word in English that corresponds to the Japanese yokai. They aren’t ghosts as we think of them; nor do they correspond to Western demons or ogres. Their appearance is often monstrous, but they’re not all huge or ugly. Yokai can be grotesque, hideous, funny-looking or even attractive. There doesn’t seem […]

We live in an era of visual overload. Animation studios are producing images so detailed, they’re virtually indistinguishable from live action, but why do they want to? How does rendering every leaf in the background make a story more compelling? What does an audience gain by seeing each stitch in a cartoon character’s sweater? Why […]

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“The Art of The Boy and the Heron” opens with director Hayao Miyazaki’s self-deprecating Project Memo: “Isn’t it proof that you are aging when you imagine you’re still capable, but in fact you have memory loss due to senility? I would say yes.” Audiences who saw the Oscar-winning film would say “no.” The Japanese title […]