Charles Solomon

Editor

Internationally known animation historian and critic, Charles Solomon has written over 15 books books including Enchanted Drawings: The History Of Animation, The Art of Disney’s Frozen, The Making of Peanuts Animation, and Tale as Old as Time: The Art and Making of Disney Beauty and the Beast .

Articles By Charles Solomon

Anime

Twenty years ago, I met Hayao Miyazaki for the first time. Princess Mononoke was his first film to receive a major US release, and my editors at the LA Times let me do a profile of him. We met at a hotel in West Hollywood; we sat at a garden table where he was free […]

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Anime

In America, animation is rarely used for action or adventure films. Because it’s still largely regarded as children’s entertainment here, studios are usually reluctant to tell stories where the danger is real and the hero can be killed. In contrast, Masahiro Ando’s Sword of the Stranger (2007) is an action-filled samurai adventure that echoes the […]

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Anime

A gentle melancholy hangs over the anime feature Penguin Highway (2018), setting it apart from similar fantasy-adventures. Fourth-grader Aoyama (voice by Kana Kita) is almost too precocious and self-possessed. Never at a loss for a reply to a bully or an interfering adult, he says what viewers may wish they’d thought to say in school. […]

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Anime

One of the biggest anime hits of recent years, the broadcast series My Hero Academia (2016) blends the popular genres of the superhero adventure and the high school comedy-drama. The first feature, My Hero Academia: Two Heroes, earned a 100% Fresh score on Rotten Tomatoes and a respectable $28 million in its US theatrical release […]

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For decades, “animation” meant drawn animation in America. Except for George Pal’s Puppetoons, stop-motion was a minor variant, used for movie monsters, Alka-Seltzer commercials and the occasional holiday special. But in recent years stop-motion animation has enjoyed an unprecedented efflorescence. One of principle creators of that flowering is the Aardman Animations studio. The found dialogue […]

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“The Art of The Boy and the Heron” opens with director Hayao Miyazaki’s self-deprecating Project Memo: “Isn’t it proof that you are aging when you imagine you’re still capable, but in fact you have memory loss due to senility? I would say yes.” Audiences who saw the Oscar-winning film would say “no.” The Japanese title […]